We just got back from a crazy quick trip down to Dallas to shoot our second Sound Clash with Talib Kweli Vs. Ozomatli. Red Bull always knows how to throw a party and support the right people/bands/athletes/events. As always, sick concept and big names executed perfectly.
Ozomatli pulled out all the stops and put on an amazing show and Talib predictably spit hot fire all night long.
To be continued/let’s see what’s next up on the menu/run up in you/lyrics that be fuckin’ wit you/in the mental/pick any mental – instra, funda, detra/extra extra large like the borough of Brooklyn the residential -Talib
This Friday we jumped on a plane and headed to the Lone Star State to shoot the Red Bull Sound Clash in Dallas. It was our first time to Texas and we weren’t sure exactly what to expect as our interactions with texans are usually on the mountain and not always pretty. Texans seemed much more in their element away from snow and during the state’s biggest college football event of the year.
Sound Clash was one of the coolest Red Bull events we’ve been able to shoot. The event was held in Victory Park with a stage on each side. On one side was the Shiny Toy Guns and on the other was Erykah Badu and the Cannabanoids. Each band opened with a 3 song set and then went into a battle of the bands back and forth format. They both covered the other’s songs and had to play songs within different genres.
While the two bands seem like an unlikely combination there was an obvious musical connection and it was amazing to watch them volley back and forth. When the official “competition” ended Erykah and the Cannabanoids were on top judged by audience applause. They voyaged across the crowd and joined the Shiny Toy Guns on their stage for a final jam session. Watching the eclectic combination of sounds and personalities come together in a bizarre but badass musical fusion firsthand was an amazing experience.
We usually shoot events like Flugtag , Soapbox, or athlete shoots and have just recently started shooting Red Bull’s “culture” events. It is a different kind of challenge because you’re working with so many lighting elements that are out of your control while trying to capture the powerful decisive moments that express the feeling and emotion in the music. Fortunately your window to capture these moments is decidedly larger than when an athlete is going by at mach speed and that moment will only happen once. There was also the added challenge of working around the film crews which is fairly common no matter what you’re shooting. The key to working well with the filmers is to find the right mix of good communication and standing your ground. Everyone is just trying to get their jobs done and you need to find the right way to make it happen for everyone.
After pushing our way through the crowds we jumped in the car and spent a solid half hour trying to make it 4 blocks to the Digital Hause where we did our editing and post production only to find ourselves with double the parking fees and equidistance from where we started to the studio. Thanks to Mark and crew for providing us with plenty of adult beverages and a beautiful space to work in till the early hours.
The next day we hoped to take in the spectacles that are sure to come with the biggest state fair in the country but we failed to realized the cluster that would surround the fair and football game. Due to a completely clogged bus system we weren’t even able to make it to the fair grounds. Despite missing out on fried butter and guaranteed epic people watching we were happy to get a chance to tour around the city before Mike headed out to Norway for Helly Hansen meetings and I headed back to the mountains of Colorado.
Thanks to everyone involved for an amazing event!
Check out more shots at Photofiles site.